- Rolling Stone does their own version of a Fall Movie preview and, of course, Dogma gets a nice little piece of the action…This bit is slightly more spoiler-prone in its description of the plot, but still not too bad as far as we’re concerned. Plus, there’s some excellent quotes from Kev explaining the point he was trying to get across with the flick:
“‘Dogma’: Matt Damon and Ben Affleck play fallen angels who try to get back into heaven by using a loophole in church dogma. They’ve been living in Wisconsin for nearly 2000 years, so life had been dull- until they start shooting sinners they catch in the act of commandment-breaking. In the company of and abortion-clinic counselor (Linda Fiorentino) who may be a descendant of Jesus Christ and a smartass named Rufus (Chris Rock), unheralded as the thirteenth apostle because he’s black, the angels head to a New Jersey church for an audience with God, who’s played, as a mute, by Alanis Morisette. This comic brainchild of Kevin Smith, the twenty-nine-year-old writer and director of ‘Clerks’, ‘Mall Rats’, and ‘Chasing Amy’, is boldly funny without ever being blasphemous. But not everyone is laughing-especially not William A. Donohue of the Catholic League for Religious and Civil Rights. Bob and Harvey Weinstein of Miramax had to buy the film back from their parent company, Disney, which wanted no part of this hot potato, and arrange alternative distribution. Good for Miramax. Despite the rantings of Donahue, who is notably irked that “God is played by a singer known for her nude videos and songs about oral sex,” Smith says he intends no offense: “The central message of Christ were ‘Love one another’ and ‘Tell other people.’ ‘Dogma’ was my way of spreading the word. Granted, Christ wasn’t a filmmaker, and he didn’t trade in dick and fart jokes, but he did tell stories to get a point across.” Here’s Smith’s parable to explain his intentions: “The way my film treats the church is kind of like the girl you really like in the first grade, and you don’t know how to express yourself, so you pull her pigtails. It’s like that. Affectionately, this film pulls the pigtails of the Catholic Church.” Smith believes that Donohue is raising a ruckus to “increase his own profile” at the expense of a movie he hasn’t even asked to see. “My film is irreverent,” says Smith, “but it’s not cynical. At the end of the day here, faith saves the world.”
