I think that Truth, Justice and the American Way (Allen Coulter’s upcoming movie about the mystery surrounding typecast 50’s Superman actor George Reeves’ sudden death, starring Affleck as Reeves] is the movie that’ll put him back on top. It’s Ben Affleck, a guy whose career has been troubled over the last year, playing George Reeves, a guy who’s career had been troubled for many years prior to his death. It’s a perfect role for him, and he’s not the lead – the movie’s really about the guy investigating Reeves’ death [played by Adrien Brody], so Affleck doesn’t have to carry the whole fucking thing. It’s a perfect comeback vehicle and we know this because we have Pulp Fiction as the model – this is the Travolta role from Pulp Fiction.

Were you around when Miramax picked up the movie that kicked Affleck & Damon into the big leagues – Good Will Hunting?

Back when I was writing Chasing Amy for Affleck, he gave me the Good Will Hunting script and asked me to put it in front of Harvey. I read it in the bathroom. I was there for two hours and just read the whole fucking script – y’know, fucking weeping on the toilet, which I normally do when I look between my legs. I fucking loved the script and I called Harvey and said “Boss, I know this sounds stupid, but this script my friends wrote, it’s like the best thing I’ve ever read, it’s fucking breathtaking. Like it’s good, it’s Oscar good…. I think. But it comes with a huge turnaround cost. It’s currently with Castle Rock, who picked it up for $800 grand – it’ll probably cost you a million bucks”. Harvey tells me that he never pays that kind of money for a script, that’s really fucking high, but what the fuck, send it over anyway and he’ll read it over the weekend. First thing Monday, Harvey calls me back and starts booming: “I’m buying this, I fucking love it.” So that put us all in the Miramax family – Matt, Ben and me. I was already kind of there with Chasing Amy, but that lodged us firmly in there with Harvey and Bob.