But this being “View Askew,” while this event easily was the most typically “Hollywood” of the Kevin Smith premiere events I have attended (1999’s Dogma event and 2001’s Jay and Silent Bob Strike Back bash) in terms of location, size, and flair, there was a little twist. The quickly-filled Dome lobby was convincing visual evidence of the overbooked guest list, but the crowd was not heavily filled with famewhoring C- and D-listers who snagged a ticket hook-up by way of aggressive publicists; most of the faces were that of less-recognizable crew, cast, View Askew staffers, and friends. As trippy as it was to witness a sequel to Clerks to get a glitzy event treatment, it was fitting and refreshing to see that the capacity audience was no parade of party-hopping Us Weekly glamazons.