It’s been a little weird. Thankfully the Catch and Release thing came along at a time where I could kind of move Clerks by a few months because nothing has settled completely in the aftermath of Harvey and Bob’s separation from Miramax. I mean, they’re still there until September 30th anyway, but we don’t really have any firm details on The Weinstein Company yet. He keeps saying we’re going, of course, and we intend to go. He’s financing Passion of the Clerks, but there’s no concrete infrastructure that they’ve revealed to us yet. I guess that’s what they’re putting together now. So the long and short of it is if there hadn’t been a fallout between Harvey and Bob and Disney, and everything was the way it was, say, a year or two ago, I probably wouldn’t have done Catch and Release. I probably would have just been shooting on Clerks. I would’ve had to pass on Catch and Release. But because things at that point were kind of up in the air, it just kind of gave me a few months to go off and try something different, to do the acting thing, knowing that Clerks was waiting for me when I get back. But being on this movie just makes me more anxious to shoot Clerks because it’s weird being on somebody else’s set and just doing this one function that I’ve done on my own movies, but I do so much more on my own flicks as well. So it’s weird just acting for somebody and not calling the shots, not deciding when a take is done or anything like that. It’s been a real education and kind of an interesting process, but it does make me amped to go shoot my own flick.

Will you direct the Star Wars TV series?

I don’t know, we’ll see.

Will you mention me in today’s diary entry?

Yes, of course. If I get to today’s. I’m about three weeks behind on the blog and that’s what I was just working on earlier. But yeah, when I get to today, of course. And won’t that be weird? You reading about yourself on the blog. It’s always a weird experience for some people because some people clam up around you and stuff. I get this a lot: “Don’t put this in your blog.” That’s become the mantra for the 21st century really. “Don’t put this in your blog. This is not for the blog.” And then you get some people who start telling you some intimate story and then they’re like, “Wait a second. I don’t want to tell you. You’re going to write about it.” To which I’m always like, “Fool, I don’t f*ckin’ write about your life. I write about my life.” So generally when I do stuff like that, when I talk about people I’ve spoken to, if they tell me stuff that’s very personal, I don’t put it in the f*ckin’ blog. And I hate calling it a f*ckin’ blog so let’s not.

What happens to Green Hornet now?

I don’t know. Green Hornet, I’m not sure where it is now. I don’t know if it went with Harvey and Bob or if it’s staying at Disney. But there’s a script out there and I guess whoever has it looks for a director next.

Is Zach Braff a lock for Fletch?

I guess. It depends. Hopefully, yeah, he’s in. We met, chatted about it. I got to get him a current draft of the script after I do some more work on it, bring the page count down a little bit. But he’d be a great choice and that’s who everyone’s leaning towards.