- Take your look at the two latest “Red State” posters, exclusively revealed via two charitable donators, Excellent Creations Inc. (XCINC) and @PuggyEatingClub. These two shots reveal our first looks at the character of Ralph Garman as Caleb and “The Sons”. These sheets come to us because of the generosity of the hosts, who donated $1700 and $1800 to The Kenny Gordon Foundation.
We like to give the sites some exclusivity before we run the one sheets here. With that said, we’re now presenting copies of all the released sheets so far. If you pick up one of these posters, please do give credit to the original bidders. If you also include the link for The Kenny Gordon Foundation charity in your story/article, you’re not only being a thorough journalist, you’re also helping to save actual lives – lives whose progress you’ll be able to trace via http://www.kennygordonfoundation.com/. It only takes a few seconds longer to provide all available facts in any story. Including THIS fact can help save a life.
There will be more opportunities for exclusive one sheets in the coming days and weeks. Watch @ThatKevinSmith on Twitter for your shot, as the auctions happen very quickly. It’s not only a fantastic opportunity to bring some traffic to your web site or organization, it’s a chance to help a good cause as well.
For a few extra words on the most recent auction, hit up Silent Bob Speaks.
Archive for December 20th, 2010
Witness the Birth of the SMonologue!
- He’s calling it the “SMonologue” — Kevin’s tweets on a subject got somewhat numerous over the weekend, so he’s taken them and summarized them in an interesting blog post up at his Silent Bob Speaks site. Surf over for the whole thing, which includes thoughts on his career and future. Here’s a few choice snippets:
“…Nobody wanted to pay me not to go to my relatives when I didn’t wanna. ???Sometimes, the path isn’t direct.
S’like folks who start movie websites: they just love movies. Not sure what their end-game’s gonna be, but writing about them & hosting trailers is a start, right? For some, the end-game will be to make a film. For some, just having people read what they have to say about a subject they love is good enough. Regardless, the smart ones will always find a way to earn off it. Because ???once you’ve got a taste for working for yourself, doing what you love doing? You’ll work 10x as hard as any brick-layer or paralegal, but you’ll NEVER feel it, never recognize it.
And let the cranks cat-call from the sidelines; they lack balls of any element, let alone brass.”
…
“…The work is long & will take you away from lots of other people & things. But ???you will never know/feel/realize it’s work – not until you look back.
This Sundance marks 17 years since the CLERKS debut changed my life. But from the moment we got our foot in the door, the workload intensified a thousand fold. And I never noticed – because I loved it so much. For 15 of those 17 years, I didn’t stop.
Cranks will tell you I’ve been living off CLERKS forever, but that’s dismissive self-deception. We got our foot in the door & I never stopped. And while the changes were imperceptible to some, each time out, we worked a little harder at developing the various muscles of storytelling.
In that analogy, Red State is the most physically fit of all the stories I’ve told. It’s the sum total of nearly two decades of hard work (for which, most times, I was handsomely overcompensated, monetarily & otherwise). And it never ???felt like work when we were crafting them. What made them feel like work was slugging it out with jackasses over opinion, or getting by the fear-driven gatekeepers who finance, market, or rate the stories I’ve tried to tell.”
We’re currently compiling our summary of Kevin’s other tweets that may be of interest for you. More news in a bit. To read the entire SMonologue, hit up @ThatKevinSmith or the blog post.





