Interview: “Back to the Well”!

November 15th @ 6:36 pm | No Comments » | Scooped by Brad & Chris

  • Quick Stop Entertainment gets an in-depth interview with documentary masterminds Zak Knutson and Joey Figueroa, who filmed all those beloved “Train Wreck” shorts and the upcoming “Back to the Well” documentary which we watched earlier this week and LOVED (review coming as a part of our Clerks II DVD coverage). This is one of those really lengthy ones, so grab a sandwich and click over to read (as well as watch a preview of “Well”). A few select passages are ahead:
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ZAK: Rosario had no problems whatsoever. Rosario was like, “Oh, you guys are doing that?” And she jumps right in front of the camera. And Jay was kind of the saving grace. Jay loved that camera. Without Jay we wouldn’t have half the Train Wrecks we did. And you know, Brian and Jeff, and just everybody, was just outstanding.

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QUICK STOP: The biggest misconception people might have about the documentary, compared to the Train Wrecks, is that the documentary is just a duplicate of what they saw in the Wrecks…

JOEY: Well, yeah. Everybody, just from reading stuff online and on the message boards and stuff, had the inclination that it was gonna be just a bunch of Train Wrecks pasted together. And we kinda let that fly. We’re like, “That’s cool that they’re gonna think that, because hopefully it’s gonna be a nice surprise when they see it’s something totally different.” We wanted to do something a little more in depth. Because if it was just gonna be pasted together Train Wrecks, why not just watch all the Train Wrecks back-to-back?

ZAK: We really wanted to give them… Joe and I were kinda there to see all this stuff that we put in the documentary. Even when we weren’t doing the documentary. Like, we start out basically with the end of Jay and Silent Bob Strike Back. We go into Jersey Girl. We go into Green Hornet. Because Clerks 2 was kinda being bounced around throughout that entire time. So we kinda wanted to say, “Look, this is when it really started to roll.” Because at one point Kevin closed the book on the View Askewniverse. Now he’s going back into it. And after working with these guys for the last five years, there was a lot of story there to be told, that we just didn’t want to deal with Train Wrecks. We wanted to actually get in there and do some stuff. Like the fact that Scott left. Scott was really having issues with being a producer, and there were other things in his life that he wanted to do, and it’s the exact opposite of Kevin. You know Kevin – that’s all he wanted to do, is make movies and write. So there was all this stuff in there that we really wanted to get into and show, and kinda show the relationship between Kevin & Scott, because Kevin takes a lot of the spotlight, but Scott’s really the one who helps push Kevin, and when Kevin is on the fence about a joke or on the fence about a story or something like that, Scott’s the one that he goes to. Scott is kinda the unsung creative partner in the entire thing.

ZAK: Out of the footage we shot, Joe and I figured we can probably do three more documentaries. Out of the stories, out of everything else, we could do three more documentaries. Like, we’ve already made jokes about, but one day it might be true, on the Clerks 2 10th anniversary DVD, doing an entirely new documentary out of the footage. Like, it’s totally possible. And it wouldn’t be a crappy documentary, either. It’d be really good. We just had to pick the stories that we felt were relevant at the time to telling the story. We’ve got so many others that we can go into. We can totally do another DVD just out of the footage that we have, as a supplemental, or as the one that stands alone five years from now. It’s a wellspring that I don’t think anybody has really thought about. And the other cool thing about the internet that I didn’t bring up, is you’re able to address stuff as it happens. If something happens at 11:00 that morning… this happened once or twice, where we wanted to get something on the net immediately. Kevin would say, “I want to put something on the net right now.” We would shoot his intro at 11:00, and by 4:00 I was uploading it to the server so that it could be up for 5:00 when people got home from work. That’s something that you don’t have with the newspaper. Something you don’t have with a regular article. It’s something that you can go all-out, boom, and it’s automatic. You can address something as it happens.

QUICK STOP: So I guess the big question would be to ask, what’s next?

JOEY: Well, we had some stuff going on where Kevin threw us this idea of shooting an in-depth documentary for the Chasing Amy 10th anniversary release. That’s kind of in a holding pattern right now for reasons we really shouldn’t even be talking about.

ZAK: We’ve got two projects with Kevin. This is the official one. We have two projects with Kevin that we would… actually more like three… that we’re talking about doing right now, but we’ve got to wait for things like money and contracts and all that kinda stuff, and then there’s a couple other people that we just started talking to, because they’re really pleased at the way the documentary’s turned out, and the Train Wrecks. So we’re trying to get it out there, and we’re trying to get it together. We just got our website up, that Ming from View Askew is helping us out with, and we’re trying to get that up and get that running.

JOEY: It’s a temporary site right now but Ming’s kinda diving into it pretty soon. He’s been real busy with all these screenings and whatnot.

ZAK: And then it’s basically putting together packages and trying to get in touch with filmmakers to say, “You got movies coming up – we can help you. And it’s not gonna cost you an arm and a leg, and you’re gonna be extremely pleased and happy with it at the end of it, and your movie will make more money because of it.”

QUICK STOP: What’s the URL again?

ZAK: Oh, it’s chopshopentertainment.com

Here’s some direct links to all the “Back to the Well” clips now available — Enjoy!

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