Here’s a look at a few more Kevin sightings from last weekend as we wrap-up our San Diego coverage for the year:

• From IFC News: Film critic Alonso Duralde chats with Kevin Smith, the (contested) king of nerd prom, also known as San Diego Comic-Con. Smith, who’s been coming to Comic-Con ever since he test-screened “Mallrats” there in 1995, talks about what’s changed at the convention and what hasn’t, Stan Lee, getting to talk to the audience and why he’d make a lousy cosplay Silent Bob.
• Bleeding Cool caught a CNN video that featured Kevin in a few quick snippets throughout.
• Finally, enjoy a bunch of pics above from Kevin’s panel, including Mewes, and a couple who used their mic time to get engaged instead of ask Kev a question. Thanks to photographer Jeff Zimmerman for the bunch.

More con wrapup as we’ve got it — If anyone’s got any stories, photos, or tales from the con with a View Askew slant, send ’em on.

“I’m right now on Page 81 of the script. It’s big. I mean big in terms of long; it spans a life. We go from 1950 to 1980, and Seann William Scott is going to be my guy, the guy that plays the lead. It’s based on the song that Warren Zevon recorded that Mitch Albom wrote the lyrics to. (The song is on “My Ride’s Here,” Zevon’s 2002 album.) …

We’re shooting in Detroit, too. I reached Warren’s estate about the song, and they said, “You’ve got to talk to Mitch Albom because Mitch Albom controls that song.” I said, ” ‘Tuesdays with Morrie’ Mitch Albom?” So I got in touch with Mitch first by e-mail, and then he came to New York while I was there shooting “Cop Out.”

So he came and we hung out for about two hours, went downstairs and ate at the Ritz-Carlton down in Battery Park. At the end of it, he goes: “I gotta tell you, man, I felt like it was important to be face to face with you if I was gonna hand over the song. It’s a big deal.” He was like: “I don’t know how else to explain it, and I know there’s business deals and stuff later on. But I just feel like I wanted to see your face and to hear you talk about it.”

…

“…A lot of (the film) is going to take place in the ’70s. Detroit looks like it stopped in the ’70s, so we literally don’t have to set-decorate or set-design. We just turn on the camera and there’s an old building. It’s a great place and hopefully we’ll do it justice.

It’s almost like, for me, the closest parallel to it is “Forrest Gump” and not in terms of we’re gonna have all these amazing special effects in it. It’s just you follow one very simple person in a life that just touches everything throughout history and the sport, so it’s kinda like that. It’s ambitious, we’re not gonna be as good as “Forrest Gump,” but it’s ambitious.

It’s funny, but it’s not the comedy that I do. Like right now, honestly it’s still PG-13, there’s no cursing in it.”

“Hit Somebody” is planned to shoot following the completion of “Red State”, which goes in front of cameras in August.

Crave Online does a nice video chat with Mr. Smith on “Cop Out” and the awesome Maximum Comedy Mode on the Bluray. Trust us, you gotta see MCM. Lots of great stuff here featuring Kevin talking about his love for extras going all the way back to laserdisc.

Want more? Reelzchannel also spent a few moments with Kev to talk about the Bluray’s MCM mode.

…In “The Crucible,” O’Halloran finds himself in 1692 Salem, Mass., as the Rev. Parris. “One night he finds that his daughter and niece are nowhere to be found,” says O’Halloran. “When he goes out and finds them dancing naked, he’s none too pleased.”

O’Halloran stops to laugh. “Funny; from ‘Clerks,’ I’ve become known for male debauch comedies. I’ve been given that label of sassy and comedic. The thing is, I’m 40 now and old enough to be playing fathers who get outraged.”

If there’s one thing that O’Halloran understands, it’s parental disapproval. “My parents both came to American from Ireland, so they were conservative people,” he says. “My father died when I was a teenager, so my mother had a very cautious view of life. Imagine how she flipped out when I quit my job in the early ’90s to act. I had spent years working at ShopRite, clearing over $500 a week, which was a lot of money in those days. As she always pointed out, a grocery store will always be in business no matter what happens.”

Tickets are $20 and well worth the cost — You can catch one of the last three shows this Thursday, Friday, and Saturday night.