21. CLERKS

With its cruddy lensing and sound, Kevin Smith’s way-low-budget debut feels like a bootleg copy of an adolescent mind.

AVC: You were in Zack And Miri Do A Porno with Seth Rogen. You’ve both worked extensively with Judd Apatow, who is famous for encouraging improvisation, where Kevin Smith is known for discouraging ad-libbing. Did Smith allow improvisation on Zack?

CR: Definitely. This was supposed to be the first movie he did that on. He just told us to go for it, to do our thing. I wouldn’t have guessed that he’d ever discouraged improvisation, but I guess he’s just used to doing scenes down to the letter. He was very encouraging about doing improv at this particular time.

AVC: Were there any particular improvisations you were especially proud of?

CR: There were a couple of things. Tisha Campbell came out with both guns blazing. She was going off. She was totally off-book, so I just had to catch up with her and go with her toe-to-toe. Kevin’s direction was that at first I was kind of stunned, but then I think, “Are you going to take that?” So I’m like, “Oh yeah, here we go.” Then the titty auditions, that was all improv. Kevin just told us to start here, then end up somewhere else.

Read the whole thing at AV Club.

7. “Zack and Miri Make a Porno”


Writer/director Kevin Smith found his stroke once again with this riotous and surprisingly heartfelt comic yarn about a platonic couple (Seth Rogen and Elizabeth Banks) who discover they’re in love while making a nudie flick. The movie encapsulates Smith’s heedless joy of filmmaking.

“Jersey Girl” (2004)

Continuing his streak of playing #2s, Damon reunited with his “Dogma” director Kevin Smith for a bit of déjà vu. Shortly before he became a household name with “Good Will Hunting,” Damon took a minor role in “Chasing Amy” as “Shawn Oran – Executive #2,” an MTV producer who tries to lure Holden and Banky (Ben Affleck and Jason Lee) to adapt their comic book for TV. In “Jersey Girl,” Lee and Damon sit across from Affleck’s Ollie Trinke as PR execs #1 and #2, respectively, who interview Trinke for a job. Smith laments on the DVD commentary, “You don’t know how disheartening it is to be at a test screening and get cards back where like ‘scene liked most: Jason Lee and Matt Damon’ because you’re like dude, they were in the movie for a minute.”

The “Clerks: The Animated Series” scenario

This is by far the most depressing of the three scenarios. The network might initially give support to the show in the conceptual phase even though they’re not entirely sold on it. Once the show has got a few episodes in the can, the network executives will balk at the prospect of giving it even the tiniest bit of support.

This has happened many times before with other shows, I’m certain, but there is one particularly ugly example that comes to mind for me. I’m sure a lot of you are familiar with movie writer/director Kevin Smith. Back in the early part of the decade he was approached by ABC to have his very first film, “Clerks”, translated into an animated series. Even though Kevin’s involvement with the project was minimal compared to that of his films the project looked good on paper. It had Brian O’Halloran, Jeff Anderson & Jason Mewes reprising their roles as Dante, Randal & Jay, so what could go wrong? Everything!

First of all, the often vulgar “Clerks” was a concept that was not at all compatible with ABC, which is owned by Disney. If it had been optioned by a cable network like Comedy Central or Cartoon Network there was a chance it would have translated quite well to the small screen. Even the Fox network could have made it work, given their success with shows like “The Simpsons” & “Family Guy”. But because ABC took it on the show’s producers attempted to transform “Clerks” into something it definitely wasn’t: a normal animated sitcom. It ended up being such a watered-down version of the source material that it turned off a lot of Kevin Smith’s normally loyal and forgiving fanbase (myself included) and viewers unfamiliar with Smith’s other work just didn’t connect with it.

It doesn’t help that ABC seemed to revel in making a bad situation worse. It delayed the premiere of the series from early Spring to Summer, then it made the decision to air the fourth episode of the series as the pilot episode. The network then aired the second episode, which was a “flashback” episode with the flashback sequences referring almost solely to what was intended to be the first episode. With seemingly the entire deck stacked against it, “Clerks: The Animated Series” was cancelled after merely two out of the six completed episodes having aired.