You know CLERKS is about the relationships between guys. MALLRATS is more about the relationships between men and women. CHASING AMY is about that bizarre relationship between two best friends and a girl. DOGMA is about the relationship between man and God. They’re kind of unseen relationship. And JAY AND SILENT BOB STRIKE BACK is about the relationship of two idiots; you know, two innocents or corrupt innocents who are kind profane innocents in a world that doesn’t seem to quite understand them and also about the relationship between the audience and Hollywood. If you want to go for something deep on JAY AND SILENT BOB STRIKE BACK, don’t bring your “hip boots” ‘cause there’s not much depth in there, but if you want to look deep for it and try and write a paper on it, it is kind of about the relationship between filmmaker and studio, between audience and studio, between audience and film. You know, because it’s about how we relate to movies. I mean the movie is kind of a big valentine to movies, but really it’s more of a big valentine to the people that supported our movies.