Even though RED STATE was written pre-weed, I’ve read StonerKev’s first green-induced script (HIT SOMEBODY). As much as I love ClerksKev, StonerKev’s a WAY better writer. Actually, all of StonerKev’s productivity’s through the fucking roof. StonerKev built the SModcast NETWORK!

Did #CopOut for the love, not the $$$. Gave up 83% of my salary cuz I believed. Still do. Glad I did, too – as RED STATE came out of it.

Via @LTfeatures “did you see the EPIX video from your birthday party? http://epx.ms/9Vez2X ” I look like DaveSemenko. AFTER he ate Gretzky.

Via @DailyMarauder “At the @GeekAwards. Movie winner Kev just got MrMoviefone to say the word cock” I was pretty proud of that. Big thanks.

Via @moviefone “Pics from the Geek Awards (& our award to @thatkevinsmith) : http://bit.ly/d5R51K ” I will cherish it always. Thanks, folks!

Via @rockerprod “any new etines shoes coming out soon?” @etniesCulture said they’re making 300 more pair in that style, then changing color.

We’ll drop our contact at Etnies a line to find details on when the next set of 300 will arrive, and what the next color might be — Stay tuned, we’re expecting the next 300 pair to sell just as fast as the first batch.

A group of kids encounters a crazed preacher (based on Fred Phelps, founder of the Westboro Baptist Church) who gives a whole new meaning to the term “extreme fundamentalism.”

Just in from Kev’s twitter. He says: ” If I didn’t write it, it’s not official. And I never wrote that.”

“Red State” begins filming on September 22nd.

ESTIMATED BUDGET: $27,000

Though officially Clerks only pulled in $3 million or so at the box office, its legacy is undeniable. In order to make the film in the first place, Kevin Smith sold most of his comic book collection, maxed out his credit cards, dipped into college funds, and spent the insurance money he’d been awarded when he lost his car in a flood. Long story short, if it had flopped, he would have been in a whole lot of trouble. The film eventually found an audience, spawned sequels, an animated series, and most importantly, launched the nearly fifteen-year career of Kevin Smith. Empire magazine even named it “one of the 500 greatest movies of all time” in 2008.

“…That’s good. I want those things to work, but I’m out of touch. I have no idea. I never saw the original Office. I never saw this Office. I never even saw Clerks. Like I never saw, what’s-his-name, Larry David’s show.”

Read the entire interview at the GQ website.

Synopsis:

A night-shift paramedic gets a lot more than he bargained for during a routine rescue in “Bitten,” a gruesome thriller. Jack is a good-hearted, hard-working EMT, so when he finds a young woman named Danika on death’s door who refuses to go to the hospital, Jack decides to take her home and nurse her back to health. As her condition improves, Jack begins to fall in love with the mystery girl. But something is not quite right-and it’s not just his fear of commitment. As secrets begin to unfold, Jack learns that Danika is a vampire who has more skeletons in her closet than he could have ever imagined. And if he isn’t careful, he could be the next.

The delicious spine-chiller and Syfy premiere stars Jason Mewes (“Zack and Miri Make a Porno,” “Clerks II”) and Erica Cox (“American Pie Presents Beta House”). A horrifying love story that doesn’t promise a happy ending, the “Bitten” DVD features never-before-seen, too-hot-for-television footage.

Sponsored by Stylin Online, the program will feature “a daily retrospective for all the things that are the best of the 1980’s; Movies, TV, Music, Video Games, Fashion and the like.”

Keep your eyes on the Stylin Online website for the first episode which we hear should be arriving very soon. Congrats and best of luck to Marilyn on this exciting new endeavor.

It’s a fascinating read, which not only includes links to all of the work, but some inside details and memories from the projects that we’d never heard before. Here’s a sample:

…Mr. Smith had seen this and asked if we could make a version for Ben Affleck and Jennifer Lopez as a wrap party present for the film Jersey Girl. We wrote a proposal, which Kevin then took and added a bunch of gags and inside jokes and developed the script. We also sent ideas for a Dogma game and a game based off of the Clerks animated series. We had 8 weeks till the wrap of the film, where Kevin wanted to give the arcade machine to them.

We worked most of the hours of those 8 weeks. We were still programming the game when we drove it straight from Austin to New York City in a U-haul attached to Brad’s jeep. We took turns working, sleeping, and driving in shifts. We presented the arcade machine on the last night of shooting, with paparazzi everywhere ruining multiple takes of the final scene. We installed the machine in the couples’ apartment. That part is pretty hazy, I personally only remember that the refrigerator was 100% full of diet-caffeine-free cokes, and showing a bodyguard how to play Frogger on the machine.

Kevin Smith: (laughs) Roger Ebert is in rare form with how he keeps re-tweeting his Cop Out review. I was thinking if Roger was trying to send me a message. But he’s liked enough of my stuff in the past. He liked Jersey Girl, but I know he didn’t like Mallrats and Clerks II. He also said something great about Chasing Amy saying how he regretted not putting it in his top ten. Roger has always been so fucking fair. Even though people kept pointing out he keeps re-tweeting that Cop Out review and saying, “isn’t that suspicious?” Obviously I’m not retarded, it’s very suspicious. But he’s a guy who’s been nice to me throughout my career in particular when I really needed it. I wasn’t going to start yelling, “he did what? I fucking guested on his show!” I mean I’ve been saying a lot lately and it’s dawning on me, but I’m almost 40. Getting mad at Roger Ebert is just not in the cards for me. He’s an icon and I like the dude. He didn’t like it? That’s fine, he liked something else I did. It’s not like I don’t get it. I used to be very contentious… Shit, used to be? A few weeks ago I took on a huge corporation (laughs). That was a real thing, but getting mad about an opinion isn’t my thing. Maybe they’ll like the next one. For Cop Out, it’s a different world. A bad review for Cop Out isn’t going to fucking kill the movie. Most people going in are thinking, “we know it’s stupid, who cares?”

Read it all over at DVD Talk.

We’re talking about Dogma, the 1999 comedy in which Smith pits a pair of exiled angels (Ben Affleck and Matt Damon) against a ragtag group that includes a Greek muse turned stripper (Salma Hayek), the heretofore unknown 13th apostle (Chris Rock), Jesus Christ’s last surviving relative (Linda Fiorentino), and a pair of unwitting prophets (Jason Mewes and Smith as, of course, Jay and Silent Bob) — all while God (played by Alanis Morissette, natch) lies trapped in the comatose body of a homeless man (s)He was using to play skee ball. Not for the easily offended, obviously — but despite what Dogma’s detractors may have thought, Smith didn’t go for cheap gags, instead using humor to leaven a thoughtful look at what we believe, and why. “Make no mistake,” cautioned TV Guide’s Maitland McDonagh, “Kevin Smith’s talky, farcical comedy of cosmic errors is clever. But it’s clever in a deeply juvenile way.”

#16: Clerks (1994)

The ’90s Film: At the time, Kevin Smith’s comedy was a defining document of no-budget slacker filmmaking, with its slapshod camerawork, shaggy-dog dialogue and on-the-pulse video store setting.

Nowadays, apart from still being hilarious, it’s a period piece. The technical ability bar has been raised for budding auteurs, and – as Clerks 2 confirmed – nobody rents anymore.

If They Have To Remake It: It should be topical. Let’s set it in the vast warehouses of Lovefilm.com, with Dante and Randall bitching and moaning all day long as they traipse to the stockroom to post yet another boxset of The Hills.